Skip to main content

CNY Museum & Galleries

Extras to assist you in your work

1. Generate citations in MLA, APA and formats for you Bibliography > click on these links:

2. Syracuse Art Venues >
• ArtRage – the Norton Putter Gallery
Artrageous art for peace & social justice
505 Hawley Ave., 13203
315.218.5711
• bc restaurantVisual Arts247 W. Fayette St. 13202
315.701.0636
• Community Folk Art Center (CFAC)
Art from the African Diaspora and world cultures
805 E. Genesee St., 13210
315.442.2230
• Everson Museum of Art
Collections of American art and international ceramics
401 Harrison St., 13202
315.474.6064
• Light Work
(Robert B. Menschel Media Center)
Photography and digital imaging
316 Waverly Ave., 13224
315.443.1300
• Link Gallery/Photography and Literacy Project
Collaborative projects in digital media
350 W. Fayette St., 13202
315.443.0463
• Museum of Young Art
Young and culturally diverse artwork
110 W. Fayette St., One Lincoln Center, 13202
315.876.0083
• Petit Branch Library
Special exhibitions of local artists
105 Victoria Place, 13210
315.435.3636
• Point of Contact Gallery
Verbal & visual arts, Point of Contact collection
914 E. Genesee St., 13210
315.443.2169
• Red House Arts Center
Joan Lukas Rothenberg Gallery
Contemporary Art
201 S. West St., 13202
315.425.0405
• Special Collections Research Center
Rare books, manuscripts, and other archival materials
Syracuse University, E.S. Bird Library, Room 600
222 Waverly Ave., 13244
315.443.2697
• SUArt Galleries
An encyclopedic collection of prints, paintings, sculpture, & other cultural objects
Syracuse University
Shaffer Art Building, 13244
315.443.4097
• SUNY Oswego Metro Center
Visual Arts
The Atrium, 2 Clinton Square, 13202
315.399.4100
• Syracuse Ceramic Guild
Local ceramics
 112 Wyoming St. #119 (in the Delavan Center) 13204
315.751.2529
• Urban Video Project
Public presentation of video and electronic arts
-820 E. Genesee St., 13210 (on Syracuse Stage building)
-401 Harrison St., 13202 (on Everson Museum of Art building)
• Westcott Community Art Gallery
Exhibitions by local emerging artists
826 Euclid Ave., 13210
315.478.8634

Popular posts from this blog

Project #6: Student as Curator: The Final Tour

Students have the opportunity to put into practice what they have learned in our FA351 course together.   Each student will be the curator of their own gallery exhibition This includes: 1. The   research and explanation of  your thematic exhibition and the reasons behind why you put it together 2.  Building a data base for your collection 3.  Create an accession document for 3 of your artifact Review the lower link for excellent procedues: Acquisition & accessioning Suggested Procedures  Reminder: Go to the Accessioning & Deaccessioning Artifacts page on this blog for more info. 4.  Create 3 paragraph wall text for your exhibition 5.  Creation of all objects (at minimum 7 works and no more than 10) 6.  Creation of all labels including title, material, date, data base #, where found / when, name of collection to where the work belongs 7.  Creation of Press Release introducing the event to the media...
Read more

For whom do we assemble collections and archive them?

For whom do we assemble collections?? Exhibition Catalogues: A Guide From  Words, Words, Words - Writing Exhibition Catalogues  Noosa Regional Gallery 24 November 2000 There are no set rules for the production or writing of exhibition catalogues.  Catalogues and the writing that goes into them perhaps offer the greatest artistic freedom.  The writing of a catalogue essay simply requires an accord between the writer/curator and the artist(s) / artifacts.  The type of catalogue produced will usually depend on the amount of funding the artist and gallery have, or the significance of the exhibition. Why do we produce catalogues? For the artist/writer– a permanent record of their exhibition For the gallery– for the archives For the funding body–a form of acquittal and a record for the archives Publicity – to inform the audience, the media or other galleries of the artist’s activities or progress Educational – to provide the audience...
Post a Comment
Read more

Lecture: Accessioning & Deaccessioning of artifacts

Accessioning & Deaccessioning :   Collecting & Disposing of artifacts A museum is distinguished by a collection of often unique objects that forms the core of its activities for exhibitions, education, research, etc.  This differentiates it from an archive or library , where the contents may be more paper-based, some objects, but less exhibition oriented.  Museums need to have a process to accession artifacts, record those artifacts into their ledgers, find, in a timely manner, both the artifact under its care and the paperwork attached to that artifact, and deaccession artifacts when no longer required.  A good tracking system that is simple and easy to use, in conjunction with a good museum collections policy, will help you do that.  Each museum may have slightly different means to control its property but the basics must be there to control, protect, preserve, track and use a collection wisely.  Mu...
Read more